{"id":11041,"date":"2005-11-27T17:08:37","date_gmt":"2005-11-27T16:08:37","guid":{"rendered":"http:\/\/w2.noticiasarquitectura.info\/el-arte-como-oxigeno-social\/"},"modified":"2005-11-27T17:08:37","modified_gmt":"2005-11-27T16:08:37","slug":"el-arte-como-oxigeno-social","status":"publish","type":"post","link":"https:\/\/www.professionearchitetto.it\/news\/es\/el-arte-como-oxigeno-social\/","title":{"rendered":"El arte como ox\u00edgeno social"},"content":{"rendered":"<div class=\"testo_es\">Mientras las protestas nocturnas colocaban a Par\u00eds bajo el foco de los medios, se inaguraba el <A href=\"http:\/\/www.macval.fr\/\" target=_blank>Museo de Arte Contempor\u00e1neo de Val-de-Marne (MAC\/VAL)<\/A> en el suburbio parisino de Vitry-sur-Seine. Un museo que integra, a trav\u00e9s del arte, a los j\u00f3venes suburbanos segregados por la Ciudad Luz [<A href=\"http:\/\/www.pagina12.com.ar\/diario\/suplementos\/radar\/9-2659-2005-11-27.html\" target=_blank>P\u00e1gina 12<\/A>]<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Mientras las protestas nocturnas colocaban a Par\u00eds bajo el foco de los medios, se inaguraba el Museo de Arte Contempor\u00e1neo de Val-de-Marne (MAC\/VAL) en el suburbio parisino de Vitry-sur-Seine. Un museo que integra, a trav\u00e9s del arte, a los j\u00f3venes suburbanos segregados por la Ciudad Luz [P\u00e1gina 12]<\/p>\n","protected":false},"author":1,"featured_media":11042,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-11041","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-es"},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/posts\/11041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/comments?post=11041"}],"version-history":[{"count":0,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/posts\/11041\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/media\/11042"}],"wp:attachment":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/media?parent=11041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/categories?post=11041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/tags?post=11041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}