{"id":11363,"date":"2005-09-17T20:00:19","date_gmt":"2005-09-17T19:00:19","guid":{"rendered":"http:\/\/w2.noticiasarquitectura.info\/el-lujo-asiatico\/"},"modified":"2005-09-17T20:00:19","modified_gmt":"2005-09-17T19:00:19","slug":"el-lujo-asiatico","status":"publish","type":"post","link":"https:\/\/www.professionearchitetto.it\/news\/es\/el-lujo-asiatico\/","title":{"rendered":"El lujo asi\u00e1tico"},"content":{"rendered":"<div class=\"testo_es\">El culto a la moda llega al paroxismo en Tokio, donde muchos de los m\u00e1s importantes arquitectos japoneses, y tambi\u00e9n algunos extranjeros, construyen para las grandes marcas de lujo edificios que son a la vez tiendas espectaculares y emblemas corporativos. La obra de Toyo Ito para Tod&#8217;s, la de Sejima y Nishizawa para Dior y la de Jun Aoki para Louis Vuitton son las tres \u00faltimas incorporaciones a la calle Omotesando, centro neur\u00e1lgico del comercio suntuario [<A href=\"http:\/\/www.elpais.es\/articulo\/elpbabart\/20050917elpbabart_11\/Tes\" target=_blank>ElPa\u00eds.es<\/A>]<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El culto a la moda llega al paroxismo en Tokio, donde muchos de los m\u00e1s importantes arquitectos japoneses, y tambi\u00e9n algunos extranjeros, construyen para las grandes marcas de lujo edificios que son a la vez tiendas espectaculares y emblemas corporativos. La obra de Toyo Ito para Tod&#8217;s, la de Sejima y Nishizawa para Dior y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":11364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-11363","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-es"},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/posts\/11363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/comments?post=11363"}],"version-history":[{"count":0,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/posts\/11363\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/media\/11364"}],"wp:attachment":[{"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/media?parent=11363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/categories?post=11363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.professionearchitetto.it\/news\/es\/wp-json\/wp\/v2\/tags?post=11363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}